In
Reporting on Your Own and Writing about People: The Interview,
Kalita and Zinsser provide us with guidelines for effective interviewing of
people. Interviewing, they argue, is more than reporting what we discover or asking
and answering questions, but is a process in which we learn peoples’ actions
and thoughts, and unlearn what we think we know. “We’re telling our subjects’
stories, not our own.” (Kalita 49) Whether
an experienced writer like Zinsser or a rookie future sociologist like me, Interviewing
is best (and early) mastered through practice. Consequently, to apply their approaches
we must start by interviewing.
Interviewing
is itself a process. According to Zinsser, first, we must choose an interviewee
“so unusual that the average reader would want to read about the person”,
second, if we do not know the interviewee, we must get him or her to trust us in
order to avoid awkward silences or fear; third, we must do our homework, have
an idea of what questions to ask and be prepared to direct the interview based
on our intuition or on different directions than our initial and finally, we
must choose a method (based on our preferences) of taking notes of the
interviewee’s answers. (104)
Kalita’s
approach focuses on how to report our own community to a general audience. From
her experience she explains that “journalists personally connected to that
context [his or her community] should use extra caution to get facts and
perspectives precisely right… We obviously
must stay free of obligation, but we shouldn’t also get in the way of our own
work.”(49)
Kalita
and Zinsser’s guidelines will be extremely useful for my multimedia project, “Living
to Tell My Story”. Rather than simply applying my ethnographic method, their
approaches give me a better understanding of the process of interviewing and
more flexibility with what questions to ask and how to interact with my
interviewees.
For
my project I have many interviewees in mind: my parents, friends and neighbors I know I want to record my
interviewees and take notes (just in case); however I am still debating if I
should “do my homework” and prepare a specific questionnaire focused on my
life or follow Michael Apted’s manner of interviewing in the Up! Series, a mixture of broad questions based
on intuition and the interviewees’ answers. Since settling this issue has been
my main problem (so far) with my project, I may reach a midpoint between both
approaches: ask my interviewees specific question about me (e.g. Where do you see me in 14 years?) and questions based on their answers [e.g. Do you believe Washington Heights, my community, will be more than what people expect (i.e. "Dominicanland") ?] Surely, I am noticing
that Kalita and Zinsser could not be more right, the process of interviewing is
much more than I had expected.
*References:
Kalita,
S.Mitra. “Reporting on Your Own”. Telling
True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard
University. New York: Plume,
2007. Print.
Zinsser,
William. “Writing About People: The Interview”. On Writing Well: The Classic Guide to Writing Nonfiction. New York:
HarperCollins, 2006.
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